Nemanja mosurovic biography template
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Cinema Komunisto
Leka Konstantinovic was the anställda film projectionist of Yugoslavia's President Josip Broz Tito for 32 years.Along with Yugoslav directors, rulle stars and studio bosses, he tells the story of how Marshall Tito (1892-1980) gave form eller gestalt to the post-war federal state of Yugoslavia, while at the same time setting up a productive film industry for his country. With the state supporting filmmakers, "no problem" was the standard answer for whatever a director needed - with soldiers serving their entire tour of duty as extras on war films, and even the blowing up of a real bridge to create an Oscar-nominated bio. Tito followed these film shoots closely, watching one film a day in his private theater. After his break with the Soviet Union, he invited Hollywood stars to come to Yugoslavia, and soon Richard Burton, Orson Welles and Sophia Loren were commissioned to participate in massive productions, often about the heroic struggle of Tito and his partisans aga
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DEATHCEMBER
Howlin' Wolf Records is excited to present DEATHCEMBER, a holiday-themed horror anthology series soundtrack, with an international ensemble of renowned composers, directors, and actors. Produced by Dominic Saxl, Ivo Scheloske, and Frank Vogt, DEATHCEMBER brings to life a feature-length advent calendar - each door a portal to terror and demented holiday fun! So, will you dare to open the door?
The DEATHCEMBER "Main Theme" and "Suite" are composed by award-winning composer Andrew Scott Bell, performed by the Budapest Scoring Orchestra with Péter Illényi conducting, featuring oboe soloist Judit Borzsonyi, and clarinet soloist Gyorgy Ree. The melodic and sweeping opening theme adds the perfect sense of enchantment and wonder for the advent season. In addition, Andrew Scott Bell composes the transition suites that wind through the score like a snake in the guise of holiday ribbon. Segment scores are a brilliant mix of amazing international
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Unplugged
With the right technology, a leaf from a tree can sound like a full-fledged musical instrument. We learn this in the amusing and beautiful film about a small Serbian village, which throws all its love on what must be the most primitive instrument ever. In true Tarkovsky-style, the film begins with windy treetops in slow motion, and while life slowly and silently passes in the by, an unusual and taciturn friendship evolves between three people. For when the autumn leaves fall from the trees, the leaf amateurs Josip and Petar get together, and with the help of the eccentric 'grandma lo-fi' Vera, they learn the phonetics of the leaves. Even if Vera now is an elderly lady with lipstick on her cheeks and a hobby of letting off fireworks, she tells cock-and-bull stories about a past in the clothing industry and at a private detective agency! Vera teaches her grey-haired students to play on leaves and laughs at Josip's lack of talent, who in spite of the fact that he can pl