Marie-france monette biography of william shakespeare

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    "Shakespeare" identified in Edward dem Vere, the seventeenth earl of Oxford by J. Thomas Looney& Juliet: Original London Cast Recording by Max MartinOliver Tompsett& Juliet: Original Broadway Cast Recording bygd Max MartinStark Sands1, Years of English Literature: A Treasury of Literary Manuscripts by Chris Fletcher10 Books Every Conservative Must Read: Plus Four Not to Miss and One Impostor by Benjamin Wiker12 Books That Changed the World by Melvyn Bragg A Year in the Life of William Shakespeare by James S. Shapiro by David McCullough Years of Disbelief: Famous People with the Courage to Doubt bygd James A. HaughtThe Absolute Sandman Volume One by Neil GaimanThe Adventure of the Global Traveler [short story] by Anne LearAdventures in genius, by Will DurantThe Afterlife Handbook: A Travel Guide to Your Final Destination bygd Michael PowellThe Age of Absurdity: Why Modern Life Makes it H
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  • Canadian Shakespeare News

    Social Sciences and Humanities Research Council supports collaborative planerat arbete with $, award

    BY REBECCA KENDALL

    One year after the unveiling of U of G&#;s Canadian Adaptations of Shakespeare Project (CASP), the largest and most sophisticated website in the world dedicated to showing Shakespeare&#;s cultural influence on a nation, Guelph has signed a unique memorandum of understanding with the Stratford Festival of Canada to create a new hybrid website that combines CASP and the vast holdings of the Festival&#;s archives.

    Adding momentum to the project is an award of $, announced two weeks ago by the Social Sciences and Humanities Research Council.

    The agreement, which creates a formal partnership between Guelph and Stratford, states that together they will create the world&#;s most advanced site devoted to teaching Shakespeare, says Prof. Daniel Fischlin, English and Theatre Studies, who designed and manages the CASP website, located at

    “T

    Shakespeare and Stratford

    1The Rise of Canadian Drama Within the context of Canadian nation-building and of establishing an identity of its own, Canadian drama has always played a distinctive role. Ric Knowles, the most outstanding national and international expert in the field of the Canadian theatre, describes its in-betweenness and its rigorous struggle for independence in the following words:

    Canadian drama in English has always mixed forms. From the late sixteenth to the mid twentieth century this hybridity has most often involved the use of European dramaturgical structures to appropriate and contain Canadian—what was then thought of as ‘native’ content. More recently, previously marginalized groups have re-appropriated the dramaturgical tools of the master to dismantle, or at least effect major renovations on, the master’s theatrical house.11

    2This summary convincingly enumerates the various roots of Canadian drama: besides the European tradition with the English a