Shunmyo masuno biography examples
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Shunmyō Masuno is a Japanese monk and a world leading landscape architect. He is the chief priest of the Sōtō Zen temple Kenkō-ji in Yokohama, and professor at Tama Art University. With his younger brother, Yoshi, he runs his company, Japan Landscape Consultants Ltd., which was founded in and has completed numerous prestigious projects in Japan and other parts of the world.
Masunos' interest in gardening first developed when he was a child and saw the beauty and serenity of the Japanese gardens in Kyoto. His interest grew stronger as he went on to study at Tama Art University in western Tokyo and later apprenticed for five years under the famous landscape designer Katsuo Saito.
His style is known for blending modern design with traditional Japanese elements. He has established Zen gardens in a variety of styles, traditional and contemporary, urban and rural, public and private, which includes temples, offices, hotels, campuses and venues.
Shunmyōs work is also affected
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How to Let Things Go
Description
Discover profound simplicity and inner peace with How to Let Things Go: Free yourself up for what matters most by Shunmyo Masuno, a Zen Buddhist monk and acclaimed author. Masuno combines timeless Zen teachings with practical, modern-day advice to guide readers toward a life of freedom and contentment by learning to let go of what holds them back. Through short, insightful chapters, Masuno shares easy-to-follow practices that help clear mental and emotional clutter, allowing readers to focus on what truly matters. In this book, you’ll learn how to: Release negative thoughts and emotions: Discover techniques to free yourself from anger, resentment, and fear. Create calm and focus: Practice methods to reduce stress and cultivate a peaceful mind. Let go of possessions and attachments: Understand the Zen approach to living with less and finding joy in simplicity. Build a purposeful life: Learn how to prioritize actions and relationships that al
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This article originally appeared in the August issue of Architectural Digest.
The Japanese language is traditionally one that treasures ma, the silences between words that connote deeper meanings. Until recently in the realm of architecture, the farmhouses known as minka existed in a kind of cultural silence, their eloquent handcrafted authenticity dismissed due to associations with backwardness and poverty.
Though long in coming, the renewed appreciation of minka has largely been championed bygd Yoshihiro Takishita, a Japanese architect and antiquarian who brought public attention to this rural vernacular, characterized by steeply pitched roofs that evoke praying hands. Takishita also created something of a cottage industry in minka rescue, at times disassembling and transporting the structures to more felicitous locations.
In the case of a minka now revived as a weekend residence by a Tokyo-based American businessman and his family, the journey began in Takishita'