Jyoti prasad agarwala biography of christopher
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Meaning of Silence in Jyoti Prasad Agarwala
Silence as a Metaphor: A Study of the first Assamese Film Joymoti (1935) Rana Sharma Introduction: Silence can also speak. It has multiple connotations in variety of circumstances. In absence of silence, the presence of sound cannot be realized; both sound and silence are inter-dependent. In cinema silence carries ambiguous meaning. Sometimes it denotes weakness and sometimes it signify strength. It depends on the application of silence within the film narrative and cinematic projection. Though with the advent of sound, silence become an outdated term for academicians, filmmakers and film viewers. Yet the aesthetics of silence can create a meaningful world for its audience. Proper use of silence in a talkie movie reflects the directorial quality. The pioneer of Assamese cinema, Rupkonwar Jyoti Prasad Agarwala, in his first movie Joymoti used silence in an impressive and meaningful way. In this film he had projected a strong Assamese woma
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Cinema in India’s geopolitically and culturally distinct region, the ‘North East’ finds its origins in the 1935 Assamese rulle – “Joymoti” directed by Jyoti Prasad Agarwala. In the decades hence, North East India – joined to the Indian mainland by a thin corridor of 22 kms, has seen the emergence of varied films imbued with a certain sense of realism, tracing back to the aforementioned work, with a depiction of the bleak and the everyday in a jarring contrast to the movies churned out by Bollywood. Filmmaker Jahnu Barua, best known for “Halodhia Choraye Baodhan Khai” or “The Catastrophe” (1987) – winner of the Silver Leopard at the Locarno Festival in 1988, establishes a distinct voice committed to realism, with his debut feature – “Aparoopa” (1982) which refers to the titular character – a lonely wife whose life within vacuous privilege, familial trauma, and unfulfilled desires of the past, plays out alongside an array
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Characterization Of The Play Rupalim bygd Jyotiprasad Agarwala: A Study
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Chayanika Sabhapandit
Abstract
Jyotiprasad Agarwala is one of the persons who is recognized for his own contribution to the Assamese literary culture. His another identity is Rupkonwar. He fryst vatten a composer, lyricist, filmmaker, playwright, storyteller, novelist, and literary figure. His contribution to the field of Assamese drama is ganska notable. Six complete plays have been published till now to his name. The story, character, theme of each drama fryst vatten distinctive. Rupalim is a fictional and allegorical play among the said six plays. There are eight characters in the paly Rupalim. Attempts have been made to discuss how the playwright portrays the characters while advancing the story.
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