Rev ruben willingham biography of michael
•
Nashboro Records: Highlights From The Nashville Gospel Imprint
Nashville, globally recognized as Music City, is primarily hailed as the capital of country music. Its central role in the development of gospel music is a less-known fact. But when record store owner Ernie Young founded Nashboro Records in 1951, he began a label that would become one of the most prolific creators and sellers of the genre, capturing the wide range of sounds that gospel encompassed.
The enterprising Young built a studio above his record shop, and later broadcast gospel programs on multiple radio stations from the front of his record shop, which gave him the ability to both record in-house and promote the artists he was recording. He recorded well-known groups from around the country when they passed through Nashville, like the Angelic Gospel Singers, Brother Joe May, and Edna Gallmon Cooke, regional favorites like Morgan Babb’s Radio Four and the Fairfield Four, and got in on the ground floor of
•
Abstract
During early modernity, medico-legal concerns with timing puberty gave way to physiological and medical-hygienic concerns with pubertal timing. Sixteenth- and seventeenth-century medical-jurisprudential tracts isolated rare cases of conception before the legal marriage age. Scattered reports of “monstrously” early menarche and “prodigious” male puberty were offered from the latter half of the seventeenth century. Tied to excess heat, moisture, plethora and climate since antiquity, in the second half of the eighteenth century pubertal timing attracted sustained commentary regarding the purported role of social stressors, from novel-reading to diet and trousers. Both the known variability and strikingly outlying instances of pubertal timing thus provided an inroad to unravelling such perennial explanatory devices as temperament, constitution, and life style. Despite and in part because of its explanatory significance in early modern physiology, leading eighteenth-century nos
•
Little Big Man (film)
1970 American Western film by Arthur Penn
This article is about the film. For other uses, see Little Big Man (disambiguation).
Little Big Man fryst vatten a 1970 American revisionist Western film[2] directed by Arthur Penn, adapted by Calder Willingham from Thomas Berger's 1964 novel of the same title. It stars Dustin Hoffman, Chief Dan George, Faye Dunaway, Martin Balsam, Jeff Corey and Richard Mulligan. The film follows the life of a white man who was raised by members of the Cheyenne nation during the 19th century, and then attempts to reintegrate with American pioneer gemenskap. Although broadly categorized as a Western, or an epic, the film encompasses several literary/film genres, including comedy, drama and adventure. It parodies typical tropes of the Western genre,[3] contrasting the lives of white settlers and Native Americans throughout the progression of the boy's life.
Little Big Man is an early revisionist Western[2]