Gershen kaufman biography of martin
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The Double-Headed Arrow of Trauma: The Morally Traumatised Perpetrator in Martin Amis’s Time’s Arrow
Adami, Valentina. Trauma Studies and Literature: Martin Amis’s Time’s Arrow as Trauma Fiction. Bern: Peter Lang.
Adams, Jenni. “Introduction.” In Adams and Vice ,
Adams, Jenni and Sue Vice, eds. Representing Perpetrators in Holocaust Literature and Film. London and Portland, OR: Vallentine Mitchell.
Adorno, Theodor W. () “Commitment.” In Arato and Gebhardt () ,
—. Prisms. Translated by Samuel and Shierry Weber. Cambridge, MA: MIT Press.
American Psychiatric Association. Diagnostic and Statistical Manual of Mental Disorders. 3rd ed. Washington, DC: APA.
—. Diagnostic and Statistical Manual of Mental Disorders. 5th ed. Washington, DC: APA.
Amis, Martin. Time’s Arrow or the naturlig eller utan tillsats of the Offence. London: Vintage.
—. “Eleanor Wachtel with Martin Amis: Interview.” The Malahat Review
—. “Martin Amis Contemplates Evil.” An Interview by Ron Rosenbaum. Smithsonian Maga
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Shame
Unpleasant self-conscious emotion
This article is about psychological, philosophical, and societal aspects of shame. For other uses, see Shame (disambiguation).
Shame is an unpleasant self-consciousemotion often associated with negative self-evaluation; motivation to quit; and feelings of pain, exposure, distrust, powerlessness, and worthlessness.[1]
Definition
[edit]Shame fryst vatten a discrete, basic emotion, described as a moral or social emotion that drives people to hide or deny their wrongdoings.[1][2] Moral emotions are emotions that have an influence on a person's decision-making skills and monitors different social behaviors.[2] The focus of shame is on the self or the individual with respect to a perceived audience. It can bring about profound feelings of deficiency, defeat, inferiority, unworthiness, or self-loathing. Our attention turns inward; we isolate from our surroundings and withdraw into closed-off self-absorption.
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The House of Beasts & Vines
Hello friends, It’s been a grand week in Devon, a slowing of the wagon and stabling of the horse. Just losing myself in the various chores of keeping the home ticking over. It’s certainly spring now and I can feel the land readying itself for a big old burst of life. ‘The moors are preggers’as the Bards would say. There’s a seagull balancing on the mossy cross in the churchyard and there’s an ocean-tang on the breeze.
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In literature it is only the wild that attracts us. Dullness is but another name for tameness. It is the uncivilised free and wild thinking in “Hamlet” and the “Iliad”, in all the Scriptures and Mythologies, not learned in the schools, that delights us.
Henry Thoreau
Places are going swiftly on The Skinboat & The Star now: I’m delighted to leave a short film here, Wild Christ created by Natasha Kozaily, who I’m collaborating with on a series of works. You’ll see her distinct talent and fresh weave of image and compos